Three (2024)
Edition of 100
27 Colour Screenprint on Somerset Satin Tub Sized White 410gsm. Produced by Counter Studio, Margate.
60 x 76 cm (23.6 x 29.9 in)
Signed, numbered and dated by the artist
A third of profits from the sale of each print will benefit Choose Love.
Standard UK (3-5 days): FREE
EU (3-5 days): typically £30 - £50
US (3-5 days): typically £60 - £75
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Born in Guyana (then British Guiana) in 1934, Frank Bowling moved to London aged 19. He went on to study painting at the Royal College of Art alongside David Hockney and R.B. Kitaj. It was during this time that he also became friends with Peter Blake.
After graduating with a silver medal, he spent the next 60 years criss-crossing the Atlantic between studios in London and New York. Maturing into a master of his medium, he developed a visionary approach that fuses abstraction with personal memories. Now 90 he still paints every day, experimenting with new materials and techniques.
Frank Bowling exhibits in Europe, the United Kingdom and the United States. His works are included in important private and corporate collections worldwide including the Metropolitan Museum and Museum of Modern Art in New York and the Tate Gallery in London where he has had a major retrospective. Recent exhibitions include Columbus Museum of Art, Ohio, San Fransisco Museum of Modern Art, Fondation Louis Vuitton in Paris, Hauser and Wirth, Los Angeles, and the Saatchi Gallery, the British Library and the Royal Academy of Arts in London.
Frank Bowling, along with six other international artists, were asked to create a print for Choose Love. A third of the profits from the sale of each print will be benefit Choose Love – providing vital support to refugees and displaced people worldwide.
Three (2024), like many of Bowling's paintings, builds layer upon layer of colour onto the paper's surface. Bowling’s mastery of the painted medium and explorations of light, colour, and geometry incorporate the use of multilayered washes and the element of chance. His restless reinvention of the painted plane endures in his current bodies of work which continue to break new ground through his use of thick impasto textures, acrylic gels, collage, stitched canvas, and metallic and pearlescent pigments.
Available individually or as part of a portfolio.