A fundraising collaboration providing vital support to refugees and displaced people worldwideYes (2024)
Edition of 75
35 Colour Screenprint with Varnish on Somerset Tub Sized Radiant White 410gsm. Produced by Counter Studio, Margate.
76 x 60 cm (29.9 x 23.6 in)
Signed, numbered and dated by the artist
A third of profits from the sale of each print will benefit Choose Love.
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US (3-5 days): typically £60 - £75
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Harland Miller was born in Yorkshire, UK, in 1964 and lives and works in London and Norfolk. Solo exhibitions include 'All Night Meteorite' (2023), White Cube, West Palm Beach; ‘Imminent End, Rescheduled Eternally’ (2022–23), White Cube, Bermondsey, London; ‘The French Letter Paintings’ (2021), White Cube, Paris; ‘York, So Good They Named it Once’ (2020), York Art Gallery, UK; White Cube Hong Kong (2019); ‘One Bar Electric Memoir’ (2017), White Cube, Mason’s Yard, London; ‘Tonight We Make History (P.S. I Can’t Be There)’ (2016), Blain|Southern, Berlin; Somerset House, London (2016); ‘In Dreams Begin Monsters’ (2015), Palacio Quintanar, Segovia, Spain; ‘Sculptures in the Close’, Jesus College, Cambridge, UK (2013); ‘Wherever You Are Whatever You’re Doing This One’s For You’ (2013), Reflex, Amsterdam; ‘A Decisive Blow Against If’ (2013); Other Criteria, London; ‘The Next Life’s On Me’ (2012) White Cube, Hoxton Square, London; ‘On Overcoming Optimism’ (2012), Ingleby Gallery, Edinburgh; ‘Penguin Series’ (2012) Galleria Marabini, Bologna, Italy; ‘Have You Ever Stopped to Wonder Why You’re Not Here’ (2011), LAB Art, Beirut; ‘Summer Exhibition’, Royal Academy of Arts, London (2005, 2006, 2007); Kunsthalle Mannheim, Germany (2004); and Institute of Contemporary Arts, London (1996). In 2008, Miller curated the group show ‘You Dig The Tunnel, I’ll Hide The Soil’ at White Cube and Shoreditch Town Hall, London.
Harland Miller, along with six other international artists, were asked to create a print for Choose Love. A third of the profits from the sale of each print will be benefit Choose Love – providing vital support to refugees and displaced people worldwide.
Miller's work marry aspects of Pop Art, abstraction and figurative painting at once, with his writer’s love of text. The ensuing images are humorous, sardonic and nostalgic at the same time, while the painting style hints at the dog-eared, scuffed covers of a Penguin classic. Miller continues to create work in this vein, expanding the book covers to include his own phrases, some hilarious and absurd, others with a lush melancholy.
Yes (2024) is a limited edition print, which is inspired by Miller’s Hard Edged Letter Painting series—a series that Miller has based on illuminated letters that appeared in medieval monks’ manuscripts from the 12th century. To this form, Miller applied a pop art sensibility, and once he’d exhausted words consisting of just one letter, he ventured into using words consisting of two letters, such as ‘So,’ ‘Up,’ and ‘If.’ Then, as it would follow, he progressed to using words made up of three letters, such as ‘Ace,’ ‘Luv,’ and ‘Yes.’
Available individually or as part of a portfolio.
A fundraising collaboration providing vital support to refugees and displaced people worldwide
