GPBF (2022)
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Eddie Martinez, along with seven other leading international artists, were asked to create a print to celebrate Greenpeace's 50th anniversary.
Available individually or as part of a boxset. View individual editions here. View boxset here.
GPBF (2022) is one of Eddie Martinez’s latest edition of prints showcasing Martinez’s renowned bufly.
Martinez channels speed, impulse, and automatism in combination with tradition and art historical precedents, manifesting compositions that are simultaneously journalistic and autobiographical. Martinez records snippets of life as it happens—quotidian vignettes in which Raid cans aim at wasps, foliage crawls a loggia wall, and toys litter a toddler’s floor. Variously combining oil, enamel, and spray paint on canvas, Martinez also often layers unexpected materials from the studio in his collaged surfaces—perhaps a discarded baby wipe lending dimension to the wing of a butterfly painting.
Eddie Martinez was born in 1977 in Groton, Connecticut, and lives and works in New York. Having spent his adolescent years making graffiti, Martinez creates paintings on canvas that retain the rough, expressionistic lines and bold colours of street art.
Working between representation and abstraction, he paints in oil, enamel, and spray paint while often incorporating found objects, in a fast-paced practice that could be compared to automatism.
Recent solo museum exhibitions include Blum & Poe, Los Angeles (2022); Mitchell-Innes & Nash, New York (2021); Yuz Museum, Shanghai, (2019-2020); Museum of Contemporary Art Detroit, Michigan (2019); The Bronx Museum, New York (2018); The Drawing Center, New York (2017) and The Davis Museum at Wellesley College, MA (2017). He has also had solo exhibitions at Perrotin, Hong Kong (2019); Timothy Taylor Gallery, London (2014); Kohn Gallery, Los Angeles (2014); Half Gallery, New York (2014). Additionally, Martinez’s work has been featured in Modern Painters, ARTINFO, The New York Times, ArtReview, The Brooklyn Rail, and Art in America.