A fundraising collaboration providing vital support to refugees and displaced people worldwideWhite Flower with Grid (2024)
Edition of 100
16 Colour Screenprint on Somerset Satin Radiant White 410gsm. Produced by Counter Studio, Margate.
76 x 60 cm (29.9 x 23.6 in)
Signed, numbered and dated by the artist
A half of profits from the sale of each print will benefit Choose Love.
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Jonas Wood paints his immediate surroundings: family and friends, domestic or studio spaces, tabletop arrangements of ceramic vessels and plants, basketballs and landscapes. Together these paintings act as an unfolding visual diary of personal memories, poignant moments alongside everyday experiences.
Wood has been the subject of solo and two-person exhibitions at Gagosian, London (2024); Karma Gallery, Los Angeles (2023); Gagosian, New York (2023); Gagosian, Hong Kong (2022); the David Kordansky Gallery, Los Angeles (2022); Dallas Museum of Art (2019); Museum Voorlinden, Wassenaar, the Netherlands (with Shio Kusaka, 2017); Lever House, New York (2014); and Hammer Museum, Los Angeles (2010). Other solo projects include Still Life with Two Owls, a monumental picture covering the façade of The Museum of Contemporary Art, Los Angeles (2016–2018); Shelf Still Life, High Line Billboard, High Line Art, New York (2014); and LAXART Billboard and Façade, LAXART, Los Angeles (2014). Recent group exhibitions include Since Unveiling: Selected Acquisitions of a Decade, The Broad, Los Angeles (2021–2022); Psychic Wounds: On Art and Trauma, The Warehouse, Dallas (2020); One Day at a Time: Manny Farber and Termite Art, The Museum of Contemporary Art, Los Angeles (2018); and Los Angeles: A Fiction, Astrup Fearnley Museet, Oslo (2016) and Musée d’art contemporain de Lyon, France (2017).
His work is in the permanent collections of many institutions, including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Hammer Museum, Los Angeles; Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art; Guggenheim Museum, New York; The Broad, Los Angeles; Museum of Modern Art, New York; and Whitney Museum of American Art, New York.
Jonas Wood, along with six other international artists, were asked to create a print for Choose Love. A third of the profits from the sale of each print will be benefit Choose Love – providing vital support to refugees and displaced people worldwide.
White Flower with Grid (2024), edition of 100, is one of Wood’s latest editions of prints using 16 colours to create this striking still life.
Plants have remained a key subject for Wood throughout his career, beginning with his arrival in Los Angeles in 2003. Originally from the East Coast, he was astounded by the variety of flora he found in Southern California, and the tropical plants featured in his paintings reflect not only the houseplants that populate his home and studio, but also the region’s climate and cultural identity. Like his predecessors Paul Cézanne, Henri Matisse, and David Hockney, Wood also uses still-life painting as an opportunity to explore abstract forms while extending the modernist impulse to merge art and life. Wood develops his compositions from multiple sources, and his chosen motifs function as vehicles for experimentation with colour and pattern, line and geometric shape.
Available individually or as part of a portfolio.
A fundraising collaboration providing vital support to refugees and displaced people worldwide
